Thursday, February 25, 2016

Tonight the Full Moon Looks

Tonight the full moon looks;
its cast is upon the oceans
and in the eyes of sailors
it is impartial in judgement
it measures no discourse.
And if you say the right words
in prescribed sequence and
let them drop into place
and tap them home
your desire will be done.

You have a neighbour
who stole your hat
who covets your wife
who has scratched at your spine
for years. Who can stand such tribulation
for so long? There comes a time when
the measure of affliction must be met.

You would have a lover
whose warmth, whose softness
would grace your bed
whose ripeness you would taste
but for the rind of resistance.
You cast sweet sounds in sequence
upon the ocean of fate
and the tide of circumstance
will swell and flow.

Tonight the full moon looks;
its cast is upon the oceans
and in the eyes of sailors.




Friday, October 09, 2015

In A Moment


A holiday today, a long weekend
Mum wouldn't know it, every day is the same now
Spring too, the parade of flowers has begun -

the heavenly sweet citrus sepals of Daphne,
late Winter really, she didn't sense it pass
the temperature is constant in the nursing home,

she knows hot and cold, sometimes she is so cold.
The golden wattle shouts her Spring proclamation.
Mum's senses deteriorate, where once she could hear

the sweet swing band surge and feel the tight
syncopated rhythm quicken her pulse
all so long ago, now she looks significantly

as though you've said something
of import, her surge and swing evanescent
evading her recall, with the salty wild pheromone

of a dancing partner, 'never the same each night!'
she'd toast and laugh, a mischievous twinkle
in her eyes, that right now are shutting down.

The pink mouthed magnolia beseeches the sky.
'I might tell my secrets with a top up of wine'
and she clutched them close for their warmth in the night.

The cherry tree weeps all her tiny white tears.
She strains for words, names, then in a moment
of clarity, 'I know, I know what I must do.'


Tuesday, August 11, 2015

Canberra - Winter into Spring 2015

Overnight the long daffodil stalks
blew their yellow flowers.
Now the heads bow
in amazement.
Look how far we are!

As evening descends,
the tree beyond the pathway
is crackling with Indian Mynas
in communal roost.
Watch the birds gather
yellow beaked squadrons
perched on the power lines.
They peel off in operation
dart and disappear into the din.
The electricity of chatter
wires the tree in a cacophony
of Indian bird tongue. Is it excitement
or argument? A mating ritual?
Our neighbour Liz has a trap
bated and ready to neuter threat
to the native species.
Once captured they will be transported
to silence.
I suspect they have her measure.

The lime tree is festooned
with yellow eggs of fruit.
Overnight another scattering
will drum the earth.






Rain yesterday morning segued to a sparkling day.
On the Ridge a fox was taking a stroll and sniff,
and two roos contended in a dignified biff
while females grazed, it seemed, in indifferent display.








A brown falcon flew from tree to tree
pursued in magpie territory.

A column of small canny flies danced.
Some in the shade and some in the sun, perchance... much like us.

A male Dance Fly will lure a female to courtship
with a captured insect bound in a ball of froth.
Sometimes they present the insect unadorned.
And sometimes a male will trick a female
with a silken balloon, blown from below.
The fortunate female now distracted by the lure
will consume her nuptial gift, or consider a glistening
ball of silk, while the male will take his pleasure.
Much like us?







Monday, April 13, 2015

All on a Bali Morning

A spider thread moves slowly past my gaze
the world is wreathed in silken drift.
Doves call three times in morning praise
and Chanticleer proclaims his watch.

Yesterday Eloise,
a proud four fingers, danced upon an ant
a large tractor ant with grasshopper legs
Forged in antiquity, a space age design
and it retaliated and seized her
skin in its mandibles. A shriek, and sobs
in mother's arms, and I located the ant
damaged but operational, moving,
and I lifted it with a leaf and placed
it in greenery. 'How karmic' said Cara.

This morning

we found a column of ants
close to where I had placed the injured beastie.
They were marching into the bedroom for munchies
so Denise instinctively grabbed the Baygon.
Pressed the button.
Nuked the little buggers.

Afterwards we mentioned the ant invasion
to our local manager who suggested drawing
a line at the threshold, a sort of magical deterr-ant.

The manager, Made, gave us a durian.
Do you know the durian? It is a
heavy armour plated thorny husk,
an ancient weapon, which encases
the King of Fruits. It effuses humus
or mouldy Camembert, and some say -
so glibly I think - sewage or a rank
damp trainer. You might say the heaviest
aroma of sweet decaying strawberry.
Yes, earthy, primal, insistent
it evacuates lifts, hotels, hospitals and wives.

The pods await resplendent in regal
butter beds
and their flavour yes, is almost
indescribable:
a hint of spring onion and almond perhaps
the texture silky soft, succulent,
richly creamily custardly smooth;
the omnipotence unassailable.

Our neighbour Jim from San Fran - on the Bay
landed in hospital today – Honey where you been?
You really must get out more! – The dengue has him by the
melodramas – Babe, this rash ain't no match for my glamorama!

Tuesday, September 02, 2014

First Day of Spring - What's Happening?

The first day of spring.
The prunus, resplendent, entertains the bees and silver-eyes.
Branches are wed in impressionistic soft pink.
The magnolia raises pink chalices to azure sky.
The sweet air binds like incense.

Frogs at the pond on the Ridge come out on cue
morse coding positions and intent:
'Hear me here'
'There you are'
'Bring me your sweetest gift'
'I have it well primed and cocked.'

Abbott too is primed and cocked,
in speedos and cape to hush the infidel.
Guns by the ton will be dropped, as aid.
And Putin now is set to invade
and reminds the West of the size
and certainty of his weaponry.

Canberra Hospital will shoot any smokers
found in its grounds.
They call it expediting the process.
Guard towers to be erected,
security stepped up
sensors primed
olfactory
auditory
radar:
a puff will be 'poof!' in an instant.


Sunday, May 25, 2014

Ubud, (Bali), Malacca (Malaysia), Gold Coast (Oz) April 2014


Ubud, (Bali), Malacca (Malaysia), Gold Coast (Oz) April 2014, Poem The Valley Beyond

Photos at the following link – they include some fascinating shots of the Australian heart, lungs and gizzards from the plane:

Veins of Oz, tree like arteries

Our second visit to Bali was unexpected. We had planned to return to Vietnam – we hadn't made it to Ninh Binh last year so our plan was to fly to Hanoi and head South by train to Ninh Binh and spend few days there and head south again to Hoi An. But events unfurled and we accompanied Cara to Bali – Denise to assist Cara in establishing a business provider. We stayed in Sanur on the coast for 3 days and then moved inland to the higher Ubud
area. We'd been there in 2010 refer blog http://barrymcgloin.blogspot.com.au/2010/08/perth-freemantle-and-bali.html and had enjoyed it.

This time around we stayed in the 2 Seasons villa at Penestanan, a wonderful villa and pool in an attractive, well appointed village, plenty of restaurants and warungs (cafes/small restaurants) centre for the arts and a 5 minute bike ride to Ubud centre, depending on the time and traffic. The villa is owned by the family of Nano, our most gracious, obliging and smiling host who had motor bikes there immediately. Nano offered to take us to his village for the Ogoh Ogoh ceremony and parade and I wish now we had taken up the invitation but we went instead to Ubud which was quite spectacular, however being part of the local one would have been wonderful. Next time. Nano helped out when Cara was 'disconnected' from her motor bike on 'Dead Mans Curve', a frightful and as it turned out lucky experience which could have been much worse. He negotiated the damage to the bike with the renter which was a minimal cost.

Notes on the day:
We walked through the Penestanan interlaced lanes today, in thick warm air spiced by cooking aromas and smoke and incense from offerings to appease the spirits, by fabulous dwellings with artistic pathways, heavy wooden doors and secret gardens, water courses along the side, wee waterfalls, overhanging lushness, mossy rocks, brightly coloured leaves and heavenly flowers, tiered deep rich green rice fields, birds and dragonflies, frogs and lizards, ducks and geese and smiling people.  Yes, such a contrast to Coleman Ridge, Canberra with its bold bare blue sky, its rearing and tumbling mountains and space, so much space and solitude; to each its own beauty.

Ogoh Ogoh and The Day of Silence, Nyepi



The Ogoh Ogoh parade and Ngrupuk ceremony takes place on the eve of Nyepi, The Day of Silence. All is part of the Balinese New Year and a series of ceremonies, but these are the culmination. Ogoh Ogoh is quite a festive occasion and the representations of evil spirits as huge grotesque monsters are paraded before the people and lambasted, taunted and turned three times at crossroads to confuse them into leaving humans alone. The Ngrupuk ceremony follows the parade and the monsters are burned – I think this takes place at the cemetery.

The Balinese take their spirits seriously and offerings with burning incense sticks to appease the spirits can be seen everywhere. In fact black magic is known to be prevalent but it mostly affects the Balinese who believe in it. The Day of Silence, Nyepi, is a day for fasting and contemplating the spiritual journey and relationships with others, forgiveness and reconciliation. It is a public holiday and nothing moves or makes a sound. Hindu security, the Pecalang patrol the streets and tourists must comply. I have placed a poem at the bottom of this blog which incorporates Ogoh Ogoh.

Our experience at 2 Seasons was so good that we wanted to stay longer but unfortunately it was booked so we had to move. We were keen on staying in the Penastanan area and found Villa Asri which was offered by Steve Castley, the manager of 14 villas in the area. Without the character of 2 Seasons, nonetheless it was modern with a pool and a houseboy, the wonderful Katuk, a local village lad who made breakfast each morning and maintained the spotless establishment. I showed him a few ways of cooking the egg but he didn't rate his skills highly and was amused by my claim that it was 'easy'.

During our stay in Penestanan we checked a number of restaurants both there and in Ubud. The Bebek Bengil aka Dirty Duck Diner and Minami being clear winners with each dish we tried, and Murni's Warung down at the bridge being the most disappointing for the three of us. In fact there were a couple of local Penestanan warungs which were far better than Murni's, particularly one just down the path from Villa Asri. Oh yes and Naughty Nuri's chargrilled pork ribs were succulent and superb. The side courses were ordinary, but yeah, the ribs were good.

And while at Villa Asri we enjoyed a great night of entertainment at Bayu's Kitchen where an excellent local blues rock band went through a number of R&B standards in their own arrangements and they were happy to have me join them on blues harp and vocals for 'Got My Mojo Working' which I really enjoyed. The band asked me to join them in a few days but unfortunately we were booked to Malacca.

Malacca, Malaysia

Our plan was to go to Malacca for a few days, then to the Water Festival in Bankok which we had enjoyed immensely two years ago, and then, if we had enjoyed Malacca, to go back down by train or bus to Penang before flying to the Gold Coast and old mate Len's birthday. Malacca was to be the litmus test for Malaysian culture, cuisine and compatibility. We have found people to be friendly throughout SE Asia, indeed probably more openly friendly, with a smile, than Aussies.

That said, natives in some parts of Oz are friendlier than natives in other parts! If you walk for example in Sydney or Adelaide, people are less, much less likely to nod and say hello than in parts of Melbourne or Canberra, so I have noticed on my walks. In fact I found people ignored my greeting in Sydney and Adelaide. Why? Mistrust I guess, some insular defence mechanism, or just plain rudeness. A sweeping generalisation?? Well perhaps it depends on the locale, the hour of the morning or afternoon and the demeanour of the local populace.

From the notes:
I wrote this a couple of days ago and it’s still in my outbox. We’ve arrived in Malacca after a day’s travelling, staying at the Roof Top Guest House - number 3 on the Trip Advisor guest houses. Denise reckons it’s a step down... but it's great for a guest house IMHO and she’s warming to it.  We just had prawns a la special sambol at the local Chinese on the corner and they were tops - the earthy balachan fish paste with free range chillies and Chinese mumma is out the front cooking on a huge wok while toothless grand dad is yelling to another toothless old codger. The son, our waiter, speaks perfect English.

Must admit I didn’t have high expectations of Malacca in the culinary field and also I thought it might be a bit restrictive re having a wee toddy at the end of an afternoon as is my/our wont.
I had a vision of a colonial outpost that was hidebound in Christian and Muslim censures - funny what you make out of our guesthouse’s restriction of footware in the house, but then I unfortunately have an imagination which follows its own extremities at times.

Well of course I was totally wrong on all counts, as you might expect. Malacca, where we are in the midst of the historical city is very attractive in many aspects. It is small town, as our KL driver said he’s Chinese from Penang, but ‘small town’ is good, everything in walking distance. This morning we wandered into Chinatown and again like last night we found wow factors in a small Chinese establishment where we were the only Caucasians. Amazing. It was yum cha… for breakfast! The lovely lady with perfect English placed a large plate of wonders before us to choose from.  The delectable morsels we pointed to were fabulous.

So, we'd tried the local Chinese cuisine and found it to be superb and our taxi driver had said that Penang cuisine is the best, there being a substantial Chinese population in that province. It was looking good! The following morning after the yum cha breakfast we walked up to the ruins of the church of St Paul where they had buried St Thomas Xavier, the Jesuit missionary – and relocated him later to Goa, India ('sure – yer man didn't mind a bit'). There was a large monkey strolling along and Denise would go no further but fortunately a local artist Francis K S Goh was also on his way up and Mr Goh could talk the tail off a chimp, and so Denise, enchanted by the palaver, followed. And needless to say I bought one of his drawings, which I'm happy with.

The ruins were well worth a look at on the hill above the town. Built in 1521 by the Portuguese as a chapel and handed to St Francis Xavier by the Catholic Portuguese conqueror Alfonso De Albuquerque the buildings were enlarged to incorporate a school. The Portuguese were defeated by the Dutch in 1641 who turned it into a Dutch Reformed Church for a few years until they built the new Christ Church near the river. Then in 1824 when the Brits came in they used it as a powder magazine, as you might. Now it is occupied by a few cats, intriguing old gravestones and possibly a homeless person or two. Oh, and it makes a fine backdrop for ladies posing. The link to Malacca photos is

Interestingly I had read that Alfonso De Albuquerque who had sacked Malacca in 1521 stripped the town and sultanate of 60 tons of gold, jewellery and precious stones. This Booty, or mammoth appropriation was loaded onto three ships bound for Lisbon. As Fate would have it the ships were caught in a huge storm and sank with booty into the murky deep. They have never been found. Poetic justice? Boy, the Malaccans must have had a party. 'Smirk? Moi? Naah mate, that is really bad news eh?'

Breaking News April 2014:
Underwater drones may have successfully found the 16th-century Portuguese vessel Flor De La Mar, which is believed to have sailed from Malacca with stolen treasure from the sultanate when it sank.
At least two underwater salvage companies have claimed that the galleon that sank during a storm circa 1512 has been sighted in Java Sea, close to Semarang in Indo­nesia.
The Malaccan Chief Minister is quoted as saying “We would request for royalty from the salvaged treasures through cordial bilateral channels.

Well, I like his optimism! Cordial?

When it sailed out of Malacca bound for Portugal, it was reported to have carried 54.4 tonnes of gold and 200 chests filled with precious stones.
The manifest also included tributes from the Kingdom of Siam (Thailand) to the King of Portugal, including golden statues of life-sized monkeys.
Albuquerque’s own possessions included two bronze lions which he had planned to adorn his tomb upon his death and bracelet made out of gold and a bone of an animal which supposedly had magical powers to prevent bleeding if the wearer was injured in battle.
The ship hit a reef during a violent storm, broke into two and sank, taking with it about 400 soldiers, boys and girls of all races to be given as slaves to the Portuguese royal house and all its precious cargo.
As for Albuquerque, he barely escaped with his life.

Later that morning I tried the dreaded Durian, the 'King of Fruits' and the smelliest – the odour of which has caused it to be banned from hostelries, public transport, hospitals – in fact part of a hospital in Melbourne was evacuated recently ( April 2014) because of a suspected 'gas leak'. Yup, the durian.

I ate it in an ice cream concoction, and the funny thing was that the young person who served me was looking at me as though I had the plague. Well, it has a creamy texture - ripe peach perhaps and is sweet with an aroma of an overly ripe mouldy Camembert – not the astringent ammonia yellow rind smell but the earthy oozy cheese itself, mixed with a pungent SE Asian drain odeur... There are many types and aromas. Our KL taxi driver said that he and his daughter love it and his wife hates it. Does wonders for the marriage.

We also tried Nonya laksa and popiah, two of the local specialities at a very reasonable cost, and each quite delicious. The popiah is a Malaccan version of a fresh spring roll, salad and ground meat with sweet suace and chilli sauce and Nonya cuisine derives from Peranakan culture, a gumbo of Chinese, Malay and Indonesian.

In the afternoon we found the local Rasta bar along the riverside and in the evening, the Honky Tonk Haven bar which is run by a Kiwi pianist and his jazz singing wife. Apparently there are two bars of this type, where you can jam with the owners, the other being Me and Mrs Jones Cafe which unfortunately was temporarily closed. For a look at Honky Tonk Haven and owner Joe 'Itchy' s skills on the old joanna with a local Dutch trad outfit go to


https://www.youtube.com/watch?v=7eSwPfHJGww

There on the riverside the sun cast its golden glitter upon the water and life was enchanting, momentarily. We had a chat with an engaging fellow from the American south 'How y'all doin'?' he asked the two of us. 'We're all doin' nicely thanks, how y'all doin?' And yup he was all doin' well. He worked there, an engineer, and had some cooking tips for pork ribs, was looking to a laid back retirement, sitting in the farm in Alabama on his porch. Now, he was off to do his Friday night rounds. Also a chat with an Irish couple, Sean and Claire who had moved there with his work and she was seeking work, they lived out of town. He played a button accordion he said which was difficult instrument with which to join in a jam due to the key. Well I had a couple of blues harps and made arrangements with the owners to return for a jam, but the best laid plans... often go awry.

We decided to head for Jonker St Markets then back to the Chinese cafe for their fried oysters and egg. Past the hugely colourful trishaws, one offering 'free wifi', past Mr Potato, past the Morale Uplifting Association, past the Fuan Hin Coffin shop and into the bustle, kitch and glitz of Jonker St. It's this variety which makes SE Asia so fascinating, but we're not attracted to markets so we took a side street towards the hostel. As we turned into our street I was bowled over by a motor bike rider who had tried to lift my bag. It was so quick that all I recall on the ground is thinking 'watch for cars behind'.

The injury to my elbow and arm which had scraped along the road caused a stream of blood and Denise phoned the Rooftop owner who came quickly and very kindly took us to the medical centre. They checked me out, gave me a tetanus injection, painkiller and antibiotic tablets and we headed back to the cafe for an oyster omelette and Royal Dutch Stout, after which I felt much better – that stout has unbelievable clout! The
Staff here were great!
Chinese cafe owners and clientele had a juicy topic of conversation – much yelling and joshing between the grand father and his fellow bon vivants, who were also sipping the stout. Well it hasn't dented my enthusiasm for Malaysia, nor the Malaysians who we found to be as friendly as anywhere in SE Asia, notwithstanding my motor bike thief, but we had news from home and returned earlier than intended. Well you can be in the wrong place at the wrong time anywhere in the world, including our own country. 



Notes, Gold Coast :

Yesterday we drove to Binna Burra high in the picturesque Lamington National Park. It is rich, lush bountiful country, big and handsome and bold. Its mountains and valleys are spectacular, forged by a generous god. It is ours, no? Ours for ever. The blood that was splattered on granite is long dried and washed away. Over here the government panders to exclusivity, a fear of Asian and Middle Eastern hordes over running our precious land. The concept of our temporary occupation, a global village or ‘there but for fortune goes I’, is not to be entertained. Yet we are often spruiked as a ‘fair minded happy go lucky race’.  But those that have, which is our mostly middle class population, fear sharing too much, the thin end of the wedge etc.

Up at 6 again today. The beach is like Pitt St at that hour. So many health conscious people here. Joggers armed with strapped calculators, so much flesh, toned and untoned on parade. I just found the big Greek brekkie for $9.95 - couldn’t walk past and afterwards I felt at one with the crowd ha ha.

I’ve had this niggling thought that so much apparent hedonism is alien to what I have become.
I don’t fit with these people. This is not my race. There is a certain competitiveness and almost confrontational aspect to interaction which I find unsettling. Everything here is just so, perfect, whistle clean and new and within flash canyons of glass, and concrete and chrome, the perfect human shape is sought, and the perfect human thought centres on oneself.   Abbott in his speedos would stroll at ease along the boulevard and though the crowded beach. Yet there are also many large overfed bodies that move at ease here. We grow big folk. Consumerism that eats itself, its health, eventually.

The Valley Beyond, Thoughts on a Walk

The middle pond which was two thirds dry
a month ago is now, as I ascend the bank,
fit to blush, and there in a stream, is a spill off.

The contented hills sit plush and green
where a family of roos scratch and graze.
So picturesque, and the wisps of mist that arise


and drift on the belly of water now raise thoughts
which somehow alight on Bali at Nyepi
when spirits of discord soar over the island

and people are bound to their homes in silence
for a day of retreat and contemplation.
No traffic nor planes, mere flame for illumination,

no movement lest the dark demons sense
a twitch of life's inhabitation and their lust
insistent on tender souls might ravage a nation.

The carnival parade of cartoon monsters
called Ogoh Ogoh, on the eve of Nyepi
thrusts hideous faces and gruesome poses

out of the night and into the light to loom
above and upon the dream world of the crowd.
Demonic creatures with fangs and huge breasts

hold severed heads high dripping with blood.
These figures portray Life's lesser bequest
to our weaker selves, our failure to conquer

those thoughts and deeds of anger and greed
and lust and pride, deceit and envy which hover
and leach upon our worthy higher aspirations

and vampire like, the wraith spirit triumphs
in jubilation. Young girls bearing torches,
their sacred virginal fire will confine the effigies

to a blazing end, and so may goodness transpire.
And I recall a procession from my youth
in those black and white days of certitude

lead by priests in Roman robes with crucifix
banners and stern resolve, each step a step
of affirmation, each step a step

of confirmation as voices proclaimed louder
the Faith of our Fathers, living still, we will
be true to thee 'til death. And close to that route

twenty centuries prior, Caesar's soldiers
leapt to water and shore on a shingle beach
inspired by fire and drums and prayers to Mars

intoned by priests in sacred Roman robes
but more, by that cold will of Caesar to conquer.
And now as I walk down the pretty valley

the immutable mountains rise and fall
in perpetual motion, and this is my altar,
this valley my church, this walk my prayer.










Tuesday, January 07, 2014

A Poem, Madness [Vietnam 1963]

In October 2013 Denise and I visited the Thien Mu Pagoda in Hue, Vietnam.
After walking through the orderly, peaceful temple grounds we came upon an Austin A 95 Westminster I think it was, set into a recess. The plaque stated that this was the car that had taken the venerable Thich Quang Duc to a crossroads in central Saigon in 1963. The holy monk had then sacrificed his life by self immolation for the Buddhist cause which was at the time threatened by harsh government discrimination and persecution. The Diem government, initially supported by the US, were pro Catholic and anti Buddhist, despite Buddhism being practised by 86.5% of the population. The Catholic Archbishop of Hue was the brother of President Diem. The de facto First Lady Madame Nhu was the sister in law of the President, she was also Catholic and described by US Defense Secretary MacNamara as 'bright, forceful and beautiful, but also diabolical and scheming - a true sorceress'.

I wrote this poem in awe of the holy monk's sacrifice, and also in awe of Madame Nhu. The place where Quang Duc died is now commemorated by the Vietnamese Government. His heart did not burn – refer information below the poem - despite repeated attempts to turn it to ash, and it was stolen by Diem government forces in a raid on the Xa Loi Pagoda. Some biblical allusion is used in the poem, in fact Madame Nhu used the Judas analogy to bitterly denounce the USA's support of the assassination of Diem and his brother, Nhu her husband in 1963. 


Madness

On the eleventh day of June nineteen sixty three
the holiest of monks Thich Quang Duc sat
in a lotus position at a Saigon crossroads
and struck the match which exploded his being,

all that he had, into flame. The passion
of the fire was immense as it consumed
his gasoline doused body, becoming
sated in five minutes. But the fire within,

the Samadhi fire, which guided his vision
towards the Buddha of Infinite Light
was the greater. The holy monk uttered no sound.
There was no sound but the chanting and sobbing

of the Buddhist monks and nuns. In the gardens
of his soul perhaps he heard a bright bird
softly singing its freedom, perhaps there was
the sweetest tinkling of a bell in his

own tiered pagoda where the symmetry
of order in structure and grounds and surrounds,
the essential balance, was settling, becoming restored.
His sacred heart, fired within fire, remains forever.

Madame Nhu, the First Lady, applauded
and called for more Buddhist barbecues.
She was mad? Did this betray her compassion?
Sometimes madness must be kissed by madness.

Before closing my eyes and moving towards the vision of the Buddha, I respectfully plead to President Ngo Dinh Diem to take a mind of compassion towards the people of the nation and implement religious equality to maintain the strength of the homeland eternally. I call the venerables, reverends, members of the sangha and the lay Buddhists to organise in solidarity to make sacrifices to protect Buddhism.[6]


In the evening of the 16th of June, a young monk came back from the crematory to report that the heart did not burn. We – the leaders at the time – instruct him to continue the cremation process for another 6 hours. The next morning the same young monk returned to Xa Loi temple with the brownish harder-than-rock heart of Quang Duc Bodhisattva, with tear on his solemn face. He reported that not only 6 hours but they tried for 10 more hours, and the heart was still intact. In my mind, I thought maybe the heart was made up of musculatory tissue which could be harder to burn – so much anatomy that I knew.”
But then four days later, another reverend master in the Tharavada tradition passed away, I witnessed his cremation, and there was nothing left but ash particles. It was only then that I remembered the joking question I asked Thich Quang Duc, and his serious promise to leave his heart behind, on the day he offered to sacrifice himself for protesting the persecution of Buddhists by the then-government regime. And this is the explanation I came up with for myself: While HT Quang Duc meditated when the fire started, he had used the Samadhi fire (v. Lá»­a Tam Muá»™i) – the undaunted inner-strength fire – to consume his own heart – so that ordinary fire cannot burn his already-turned-to-quartz heart. This Samadhi fire converts the heart of Bodhisattva Quang Duc into Indestructible Diamond.”


Wednesday, December 18, 2013

Vale Chris McGloin





Vale Chris McGloin.
My dear cousin has gone. I salute him,
The world has lost his great boisterous voice.
His irrepresible spirit.
Who would bellow Bo Diddley,
a shave and a haircut, two bits
in Kinghorn Street Nowra in '66?
The line I shoot will never miss
Yeah we lunch at Leongs
Play pool at The Bridge
Make love to you babe
You can't resist
Yeah I'm a man,
I spell M
A
N.


In later years of course he mellowed into grand pops, a proud grand pops, proud of his nanna, proud of his family, just a lovely big mellow, loveable grand pops, albeit with a slightly grainy disposition, at times.  


Our thoughts and love go out to dear Christine, Linda, Andy, Rik and Kell - and many thanks to Bill, Brad and Keith for all their support.

Saturday, November 16, 2013

Hai Van Pass


















At the mountain pass above Da Nang
rain chased the clouds like a whipping dragon's 
tail and opportunistic stall sellers 
hawking their ponchos and umbrellas

and squawking like seagulls at a sliver 
of bait were shoed away by our driver Lan 
pronounced Lun.., Lun, who told us that the pass 
called Hai Van was named by the Emperor 

who looked to the sky and down to the sea
and proclaimed the place as 'Cloudy Ocean'.
And now above the carcass bunkers of 
A Battery 1st Light Anti Aircraft 

Missile Battalion United States 
Marine Corps, closer to the heavens 
a humble altar sits precariously 
and I saw a man his head bowed 

in the rain and cloud: a spiritual
supplication silently rising way
beyond Hai Van, way beyond the 
Cloudy Ocean, and way beyond memory.




Sunday, October 13, 2013

Byron Bay 2013

Yes, a little late with this one, in line with this year's review of last year. Tradition now... 

Firstly thanks to Old Mate Len who provided much needed dot points, comments, prompters and information to assist recollection. Following Bluesfest, the subsequent trip to Bangkok and Turkey and back to Bangkok has blurred the memory of the acts somewhat...

The accommodation was provided by the bountiful and effervescent Michelle in her 5 star condominium at Kingscliff, for which we were all thankful.
The usual gang attended, Michelle, Niki, Lynelle, Toni, Len, Dr Pat and myself and we all enjoyed various acts with some preferences, but here's the rub, I'm unable to say who preferred which acts, apart from Len. Similarly my own family were there and although arrangements were made to provide reviews none have been forthcoming. None!! So, I'll start with the acts which I found most appealing and we'll see where that leads. Thankfully Len's notes will come in very handy, but where did the notes come from? I don't remember him writing or noting them down... so, I can only assume that he tucked them away in the sparkling caverns of his orderly cranium. I have no idea. A heavy duty enigma is LJ.


Firstly, for me numero uno - Paul Simon.
Yes, the old trouper did it for me with his wonderfully melodic songs, honed lyrics and harmonic textures. Here was an artist who had an Everley Brothers styled duo with Garfunkel called Tom and Jerry (yes Tom and Jerry!!!) in the 50s, and had written Sounds of Silence in 1964, while performing solo in the UK folk clubs. Now, in his solo career, post Garfunkel, post Graceland he continues to issue the highest quality albums – his recent So Beautiful, So What being lauded by critics as his best since Graceland. The performance of the title track at the Bluesfest was a highlight for me. His band was superb, so musical – I know it's a strange thing to say but this band has more musicality, and muscularity, than most, and it can rock! Check out his DVD Paul Simon Live in New York City.

So Beautiful? You Tube clip http://www.youtube.com/watch?v=NsD6tWg61oc

Over to Len:
  • Mojo tent was beyond capacity, crowds pouring out of the sides of the venue fighting for a view of the legend.
  • His set, which he wanted to be a "dance party", featured no less than three encores and was accompanied by an eight piece band.
  • Featured songs from the legendary album Graceland (which recently celebrated its 25th anniversary, reportedly with the backing band featuring many members who have been touring with him since its release.
  • In addition, Simon embraced a couple of his most loved tracks sans Garfunkel, "The Sound of Silence" and set closer "The Boxer" and of course a cross section of the rest of his career, including the popular "Still Crazy After All These Years".
  • Opening with his characteristic African-infused folk rock sound showcased the extraordinary array of musicians who make up his band; many members who are virtuoso players of multiple instruments.
  • The layered sounds coming from his band added a sophisticated texture to Simon’s soothing poetic lyrics and humble guitar solos.
  • By the end there was passionate and unrelenting cheering from the audience; an effort that rewarded them three encores – in which he played many more of his timeless songs.
Set List
  • Gumboots
  • 50 Ways to Leave Your Lover
  • Me and Julio Down by the Schoolyard
  • That Was Your Mother
  • Slip Slidin' Away (Tribute to Phil Ramone)
  • My Little Town (Simon & Garfunkel song)
  • The Obvious Child
  • Crazy Love, Vol. II
  • Diamonds on the Soles of Her Shoes
  • So Beautiful or So What
  • Late in the Evening
  • Encore:
  • The Sound of Silence (Solo Acoustic)
  • (Simon & Garfunkel song)
  • Kodachrome / Gone at Last
  • You Can Call Me Al
  • Encore 2:
  • Graceland
  • Unkown Group Song
  • Still Crazy After All These Years
  • Encore 3:
  • The Boxer (Simon & Garfunkel song)

In second spot could have been Jimmy Cliff, Robert Cray, Manu Chao or the Grand Wizard himself, Robert Plant, so we'll go with 'little Robert' (who 'only wants to come and play'... heh heh - quote How Many More Times – Led Zep). Since Led Zeppelin Plant has kept himself artistically alive and well by his eclectic approach, his reverence for trad roots styles and his wizardry. Yup he is known to conjure the afternoon muse in pipe and slippers and just blow rings and lyrics,  just     blow    rings   and lyrics    man. His recent Band Of Joy album produced by the ubiquitous T Bone Burnett embraced country music, as did the prior collaboration with Alison Krauss. The 2005 Mighty ReArranger utilized African, specifically Malian blues and was for me better than much of Zeppelin's material being less declamatory, bombastic. All were financially and artistically successful. It's great to see these long established artists stay relevant – people like Plant and Simon, Leonard Cohen – a fabulous concert two years back – Richard Thompson, Dylan, Bruce Cockburn, many with old folk credentials. Check the You Tube of Shine it All Around from the Great ReArranger:

http://www.youtube.com/watch?v=UuNuC6Ghfyw

Over to you Len:

  • Robert Plant is a living legend and Fans packed out the Mojo tent to experience his latest project ‘Robert Plant Presents Sensational Space Shifters’
  • The career of the lead man of rock icon Led Zeppelin has been marked by non-stop evolution and he’s not done yet
  • electrifying set by Robert Plant
  • Moving between pulsating rock sections to calmer grooves, Plant managed to fit in a great deal of Led Zeppelin tracks to the crowd’s delight
  • Plant’s acknowledgment of the faithful was not the traditional songs but a patented future-primative groove that moved these songs to greater heights.
  • For example, Whole Lot Of Love was embedded with chugging African drums.
  • Plant showed off those high reaching vocals of his that are so highly revered
  • The seven-piece band was a force of its own, producing a big rock sound that draws from elements of blues and roots music.
  • To one side of the stage we have Juldeh Camara working a Gambian wooden banjo, on the other side keyboardist John Baggott (ex Massive Attack) sits in a nest of snths and laptops.
  • Led Zeppelin classics like ‘Black Dog’ found a new life with the distinctive sound of a ritti (one-stringed African Violin) and other exotic string instruments, creating an Africana/rockabilly fusion.
  • A maestro of rock, he conducted his audience and they responded to every gesture.
  • The backdrop, featuring the ‘60s-style psychedelic album cover art, combined with a triumphant lighting display and gave this Bluesfest headline set the full rock treatment.
  • Plant honoured his teenage love of the blues as the drive behind this latest incarnation. In a tribute to hero Howlin’ Wolf, he performed an impressive cover of the blues classic ‘Spoonful’.


Set List
  • Friends (Led Zeppelin song)
  • Tin Pan Valley
  • Another Tribe
  • Black Dog (Led Zeppelin song)
  • Spoonful (Howlin’ Wolf cover)
  • Going to California (Led Zeppelin song)
  • The Enchanter
  • What Is and What Should Never Be (Led Zeppelin song) Heartbreaker (Led Zeppelin song)
  • Four Sticks (Led Zeppelin song)
  • Funny in My Mind (I Believe I'm Fixin' to Die)
  • Whole Lotta Love (Led Zeppelin song)
  • Encore:
  • Bron Y Aur Stomp (Led Zeppelin song)
Rock and Roll



Manu Chao

Manu Chao, the Spanish/French singer based in Paris was a surprise for me. Ok I have some of his Cds, Best of, Clandestino and La Radiolina, and he can be quietly folkie – too folkie I thought for a closing act. BUT he blew the roof off the marquee with his energy level: The dance was sooo up front and vibrant, the lighting appropriately zipping all over, the electronica sounds like flying sirens and his band was manic. He was my daughter Cara's favourite performer, along with Hat Fitz and her namesake Cara. I think the audience didn't really know what to expect and he wowed us.
Superb!!!



Robert Cray Band

Robert Cray was a knockout. We'd seen him before some years ago at Bluesfest I think but at the back of my mind I had put him down as quality blues but too smooth. When your point of reference, your barometer is the Wolf, Elmore, Hooker, Muddy and Walter your gauge is how well the person measures against those guys. So, I wasn't expecting earthy sparks - which is what I got!! The Man has presence and delivery and his songs were great. He'd been to the Crossroads, made bacon and eggs for the old hoary goat with the red eyes. Or my previous opinion was askew. I know, it can happen, too much fruit pulp. This Paris concert recorded You Tube is the closest I could find to my remembered experience and if you have a pair of 3D glasses, use them:



Jimmy Cliff

Another who was much better than I had imagined. His voice is still superb and he has a mile more energy than yer average stoned Rastafari. Many rivers to cross, well maybe I have with that comment, and I retract it unreservedly. Who would say that they are always stoned, not me. 





Jimmy's band and the recent foot tapping hit One More on Letterman:






Rufus Wainwright

Yet another performer who surprised me. We'd seen his sister Martha about 4 or 5 years ago at the Bluesfest – the most sensual and sexiest performer on the planet. Of course with their lineage from folk aristocracy, the McGarrigle sisters, Anna and Kate and Loudon Wainwright 111, you wouldn't expect less – well not both sisters and Loudon ha ha. Sadly Rufus and Martha's mother Kate died in 2011.

Rufus like his sister has a great expressive delivery and he writes dramatic songs to suit his delivery. Check this solo performance:


To hear Kate and Anna's great harmonies in a song covered also by another folk scion sadly departed, Kirsty McColl, Complaint Pour Ste Catherine, check this, from the 70s I think – ahhh they were magnifique:


Martha's stunning elegiacal version of Kate, her mother's song Proserpina is here:


Father Loudon Wainwright is here with his 'only' hit, Dead Skunk in the Middle of the Road:


Loudon's more recent blues styled Older Than My Old Man Now, with Martha on backing vocals is here:



Hat Fitz and Cara Robinson

Hat has always been a sort of weather vane/barometer for Bluesfest, if Hat's doing well, so is Bluesfest. I know.... skewed logic, untested you might say, an urban myth, total bollocks, but WTF. I'll stick with it. He was the first act up, Lynelle and I sat in the Cavanbah waiting for their version of Blind Willie McTell's Deliah (they must have done it before we arrived.... - a great cover), and I later saw him with my daughter (also) Cara who was entranced by them, and Len and I caught the third show from outside – it was chockers. All very good.

He has been with his wife/partner Cara for a few years now and the former demented angst ridden blues bellower with the rolling eyes has segued into a more sophisticated albeit still earthy performer. Cara adds her superb voice, flute, whistle and various percussion. Their songs now incorporate gospel, blues ballads, the occasional Irish flavoured instrumental, and early Oz poetry as in the recent 'Company Underground, an adaption of 'For The Company Underground' by Francis MacNamara aka Frank The Poet.

Hat's audience dialogue, always a basic medium 'You'll notice I don't talk much, that's cos I've got fuck all to say', has been enriched by Cara's Irish blarney, and you can now hear some banter eg.
Cara: ' I don't know what he's going to do next...'
Hat: 'Just for that I'll do one about me ex'
'He's got a whole album of them...'
'She thinks it's all the same one. This is called Hold My Hand. I came home an all me gear's on the front lawn so I went round to me mate's place, sat on the vernadah and wrote this.'

Unfortunately I was unable to find Deliah but some good ones here with Cara:



For glimpse of the old manic Hat who 'must 'ave a twist in me neck'  with lousy 'NSW Tamworth' strings, and telling Itchy to do a drum solo 'that's all you'll get out of him...', while he fixes the tuning, check the link below.






Tedeschi Trucks Band

Len's comments are below and I can add that, although I caught only the end numbers, – can't recall what happened, oh yes, I was at Seth Lakeman - didn't see the whole show but what I saw was excellent. As Len says 'adventurous', yes they incorporate blues, soul, funk, jazz with great vocals and amazing guitar. Love their 'Midnight in Harlem', must be one of the best soul tracks since the 70s. I think that if I'd seen the total show it might have made my top spot.

  • adventurous
  • great version of Steve Wonder's 'Up Tight'
  • Eleven great musicians pumped punchy horn lines, crisp vocal harmonies and some phenomenal guitar work
  • Susan Tedeschi and Derek Trucks wrought blues licks out of their guitars, sharing lead and rhythm work and throwing to their energetic support band for some of the most tremendous solos of the day.
  • Tedeschi is a formidable front woman.
  • New single ‘Made Up Mind’ proved a winner, but it was the Sly and the Family Stone cover ‘Sing A Simple Song,’ that brought one of those rare and indescribable “oh, hell yes” blues bliss moments to both crowd and players alike.
  • Incredible show, if you value blues music you must see this band

Check Derek's tasty intro and the attractive and talented Susan singing Midnight in Harlem:
Sweet Honey in the Rock

I recall that we found this group while moving from the closing song from Grace Potter & The Nocturnals, a fab cover of White Rabbit, and ambling towards the bluegrass harmonies of the Wilson Pickers' bush music (great name – play on soul maestro Wilson Pickett of course – may De Lawd rest his soul...). Anyway, the heavenly harmonies with no instrumental accompaniment ie accapella were, as Len says below, absolutely captivating.

The band has come from the folk tradition, and so you have the story with each song, together with the giving of a whole lotta lurve, and a fab feel good factor which I found lingers on forever, in fact I'm feeling it now just thinking about it. These ladies are so thoughtful that they have a sign language lady on the side, just for the lyrics. Now ya can be cynical but the musicality, the confluence, the balm and blessing of voices, is wondrous. Ya don't need attack and bad attitude bro. Think again eh? Imagine Def Leppard with a sign language person at the side. Yah, anything's possible. Big world eh bro? Yeah I know a deaf person can't hear the music but BUT they can feel the vibes, dropkick.

Len's verdict:

  • Perhaps my best new musical discovery of the day was the all-woman acappella ensemble Sweet Honey In The Rock, as they delivered an utterly captivating performance.
  • Celebrating their African-American heritage, Sweet Honey In The Rock sing songs that draw upon a range of influences including gospel, blues, reggae and jazz, to create breath-takingly beautiful music.
  • While songs including “Wade In The Water” made great use of their vocal talents, it was the ensemble’s cover of Bob Marley’s “Redemption Song” that evoked the best response from the crowd due to their truly unique recreation of the much loved number.

For a taste of those Sweet Honeys wading in the water go to






Joan Armatrading

I don't think I saw Joan at all – I was watching Jimmy Cliff, but Len obviously did and was transported and I'll attach his review here:

  • Showing improved stage presence & audience interaction from past performance
  • Joan Armatrading is possibly the closest concrete evidence we’ll ever have that God is a woman.
  • She told her Crossroads stage crowd to wave their arms; they waved their arms; She bid them to sing a chorus; they rivalled a gospel choir.
  • She changed gears mid-set from soulful crooning to electrifying, rock-spun blues and that moment, the very skies opened and soaked the whole festival.
  • Armatrading moved untethered and wireless around the stage, soloing on her holy collection of guitars, dancing and laughing with her band as though this were her lounge room.
  • Energy levels jumped when moved into her classic songs before danceable crowd favourite ‘Drop the Pilot’ closed the show.





Seth Lakeman

Seth knocked me out this year as he did last year. From Cornwall he is a top drawer on the current very lively UK folk festival scene, and watching and hearing his performance with band and interaction with the audience you understand why, yes you do. The audience was up and dancing WILDLY, and at one point I was asked by an aisle maiden to alight and go with her to the grove...
Fortunately for her the song finished.





Mavis Staples

Mmmm, I'm not sure that I saw Mavis but, but, had I seen her I would undoubtedly enjoyed her performance – I have seen her previously. Just looking at the schedule now and I see that Rufus Wainwright was on at the same time and that's where I must have been. Now, Len was there and enjoyed Mavis and the total experience and it seems that I missed a special show, so over to you Len:

  • Soul queen
  • Mavis Staples exudes a youthful vitality that is quite remarkable, especially after 63 years of performing.
  • The audience was instantaneous magnetised by her cherished, characteristic gospel-infused rhythm and blues style.
  • Mavis commands an audience like no other, and her positive affirmations have a hypnotic power that is transported to all those in her presence; “We’ve come to bring you joy, happiness and inspiration,” she said.
  • Her cover of The Band’s ‘The Weight’ sent the crowd into an ecstatic frenzy and was a poignant moment in the first half of her set.
  • Lead guitarist Rick Holmstrom played a sophisticated and soothing solo piece that worked to wind down the fired up crowd. Yet this relaxing feeling was only short-lived, as Mavis returned on stage to declare a big surprise: Bonny Raitt was about to join her for a guest appearance.
  • Bonnie and Mavis performed the hit song ‘Will The Circle Be Unbroken’ and this stellar rendition proved that their mutual admiration of each other is something that could never be broken.

Check out Mavis and Bonnie performing Will the Circle be Unbroken:

Check Mavis at the white House performing a funky Let Me Take You There for President Obama: http://www.youtube.com/watch?v=ANw38xX_EuM





Bonnie Raitt
Yep, I'm almost certain I caught some of Bonnie, at some point. Ben Caplan was on at around the same time and I remember him but I think I saw some of BR's gig as well. This was the final day and that's my excuse. However, luckily we have Len's prodigious memory for detail to haul us through the murk:
  • Bonnie Raitt performed tracks from her entire career, after earlier popping in on with Mavis Staples
  • Hard to believe that Bonnie Raitt is 63 years old. She looks likes 20 years younger.
  • The thing that might give her away are those trademark poetic lyrics, clearly forged by experience and emotion you’d need a lifetime not only to write, but to perform with such sincerity.
  • Raitt wielded her guitar like a weapon, smiling and bantering with her band and popping solos left and right.
  • Her voice is something spectacular, it oozed like a blues-infused honey through the tent’s speakers and across the sea of enraptured punters gathered to see her. “You got one helluva country here, and such great music fans,” she announced
  • Raitt stamped Bluesfest with her smoky blend of blues, country and rock.
  • Raitt fans went away still singing ‘I Can’t Make You Love Me’, so great was her rendition.

Trombone Shorty

I can say with almost 100% certitude that I saw and heard the rambunctious Trombone Shorty
and his band of noisy N'Awlins players. I've seen him previously - he's been here a number of times and he's popular, deservedly so. And I enjoy the loose N'Awlins rhythms, that seem to fall over themselves and Trombone has this in tubs. Now, I've just realised that Len has not produced a review of Trombone... So... you have it. Pick one which Len covered, ah yes, Alan Toussaint.




 Alan Toussaint

Len's succinct dot points are below, thankfully, and I can add that this was the first time I have seen the grand gentleman of N'Awlins who looked splendid in his green suit, checked shirt and blue tie - you'd think that his mum might have said at some point 'Alan, blue and green are seldom seen...' 
Notwithstanding the Legend's sense of sartorial splendour, his music and his demeanour suggest an elegance befitting his noble stature among the raggle taggle bad mother f***ing dangerous dude types of Cresecnt city musos who have more than a passing knowledge of the masonry and 
mortar of the city penitentiaries. Not so M. Toussaint. Over to you Len:


  • Mr Mardi Gras
  • Despite the massive names on the bill, elements of punk, pop, and every other kind of genre you can think of, it’s artists like Legendary R&B vocalist and pianist Allen Toussaint that really are the soul of Bluesfest.
  • The New Orleans R’n’B legend and his crack band were wonderful to watch, even for those who were not immediately familiar with his music.
  • He had the ever-increasing crowd in the Crossroads tent swinging their hips and stomping their feet to a parade of some of his best-known songs.
  • Dressed in a green suit and backed by a talented band, Toussaint showed that his fingers are as nimble as ever as his hands danced up and down the keys.
  • He also proved to be a true entertainer, standing up in the middle of ‘Mr Mardi Gras’ to throw gifts, including masks, beads and even a small umbrella, into the crowd. Before the song he proclaimed, “We’ve brought some of the Mardi Gras to you!”
  • With a career spanning almost 60 years, today Allen Toussaint showed that his influence on the R&B genre is still recognised and that his fans maintain a high level of appreciation and adoration for his talent.

Now, I think we've reached the end of this here production. Finally. Almost. I didn't mention Taj Mahal who gave a terrific performance, also Ben Harper and Charlie Musselwhite were hot damn and gave a hot damn rootsy performance of When the Levee Breaks, also Go Jane Go were as good as you'd expect from Kieran and Lucas Kane plus David Francey. Also I can't believe that I missed Santana - I was captivated by Robert Cray or Trombone Shorty. 
Well thanks again to Len and Michelle. 2014 looks good but I think we'll be in Spain. The final announcements? Some bets? Stones?  Oils? Johnny Winter? John Fogarty again? King Crimson?
Richard Thompson? The Saints? Nick Cave? Neville Brothers? Rod Stewart/Faces (sadly without Ronnie Lane RIP? ELP? 




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